greatalbumcovers

Great Album Covers provides a forum for everyone to learn about and enjoy record album art. The vinyl record album provided a format that allowed the album cover art to be enjoyed. Record Albums and the cover art are collectible pieces of music history. See cover art from artists such as the Beatles, Led Zeppelin, Pink Floyd, the Eagles, Fleetwood Mac, the Cream, the Rolling Stones, the Who, Elvis Presley, Michael Jackson, Eric Clapton, Bob Dylan, Ray Charles Frank Sinatra and more. The album cover art is from many genres of musical, including rock and roll, jazz, country, R&B, Soul, heavy metal, classical, etc. There is also album cover art related to movies, television shows, comedy and more.

Slaughter Sticks It Their First Time Out


Slaughter-Stick It To Ya- album cover by Hugh Syme and Glen Wexler

Slaughter-Stick It To Ya- album cover by Hugh Syme and Glen Wexler

Slaughter is a hard rock band formed in Las Vegas, Nevada in 1988. Their debut album,”Stick It To Ya”, was released in 1990 on Chrysalis Records. The album went multi-platinum and was nominated for the best metal album of the year award at the American Music Awards in 1991. Slaughter also released a live album,”Stick It Live”, in 1990 which went gold. Both albums have outstanding album covers featuring the artwork of Glen Wexler, an internationally recognized photographic artist. This work features the narrative and surrealistic sensibilities that gained Wexler fame in the music industry as a preeminent album cover artist.

Glen Wexler is known for producing digitally enhanced altered realities by extending the boundaries of the photographic medium. Wexler has done album covers for such famous rock bands as Van Halen, Rush, ZZ Top, and Black Sabbath. Wexler also created a fantasy album cover for the Rock and Roll Hall of Fame and Museum exhibition “The Greatest Album Covers That Never Were”.

slaughter-stick it live- album cover by Glen Wexler

Slaughter-Stick It Live- album cover by Glen Wexler

Molly Hatchet – The Warriors of Southern Rock


Molly Hatchet 25th Anniversity Best of Re-Recorded - Paul Raymond Gregory

Molly Hatchet 25th Anniversary Best of Re-Recorded – Paul Raymond Gregory

The southern rock band, Molly Hatchet, has been going strong for more than three decades.   During that time the band has undergone major changes in its lineup, but one thing, besides the music, that has remained nearly constant is the use of the heroic warrior on the Molly Hatchet album covers.   The fantasy art on Molly Hatchet record albums has been consistently some of the best cover art in rock and roll history.

The band, originally from Jacksonville, Florida, released its debut album, “Molly Hatchet” in 1978.  This was the first album to display the famous warrior art that is now associated with the band’s hard driving rock image and the album found a huge fan base, ultimately going platinum.

Molly Hatchet  - 1978  - Cover Art by Frank Frazetta

Molly Hatchet – 1978 – Cover Art by Frank Frazetta

This strikingly dark warrior on a massive stead was the creation of famous, fantasy artist Frank Frazetta.  His art work would also appear on Molly Hatchet’s next two albums, “Flirtin’ With Disaster” (1979) and “Beatin’ the Odds” (1980).

Flirtin With Disaster - Molly Hatchet -1979 - album 2

Flirtin With Disaster – Molly Hatchet – 1979

The multiplatinum album, “Flirtin’ with Disaster”, and the song of the same name, were Molly Hatchet’s best received work to date.

Beatin the Odds - Molly Hatchet - Album 3 - 1980

Beatin the Odds – Molly Hatchet – 1980

“Beatin’ the Odds” also went platinum although less popular than Molly Hatchet’s second album.

Take-No-Prisoners - Molly Hatchet  - 1981 - record album cover

Take-No-Prisoners – Molly Hatchet – 1981

Molly Hatchet’s fourth studio album, “Take No Prisoners” features the members of the band on the album cover in a fantasy art painting by Peruvian artist Boris Vallejo. Frank Frazetta, the artist who created the three previous album covers, was replaced by Boris Vallejo, reportedly because Frazetta tripled the price he demanded for his album cover work. The Take No Prisoners album was less successful than any of the three previous albums.

No Guts No Glory Molly Hatchet's Fifth Album - 1983 Photo by Bob Seidemann

No Guts No Glory Molly Hatchet’s Fifth Album – 1983 Photo by Bob Seidemann

Molly Hatchet’s fifth studio album, “No Guts No Glory” is the only studio album where Molly Hatchet deviated from the fantasy warrior theme on the album cover, in this case in favor of a western-cowboy theme. The photo used on the “No Guts No Glory” album cover was taken by Bob Seidemann and was reportedly shot at Six Gun Territory, a western theme park, near Ocala, Florida. Released in 1983, “No Guts No Glory” was not a commercial success, but it is generally considered a favorite among Molly Hatchet fans, as it marked the return of lead singer Danny Joe Brown, and is therefore more similar to Molly Hatchet’s first two albums.

The Deed Is Done - Molly Hatchet - 1984 - Ezra Tucker

The Deed Is Done – Molly Hatchet – 1984 – Ezra Tucker

“The Deed is Done” was Molly Hatchet’s sixth studio album released in 1984. Although aiming for a broader listener base with a more commercial, FM-friendly, hard rock sound, this album failed to excite the mass market. This album was the first Molly Hatchet album without cofounder Steve Holland who had had enough of the band. Molly Hatchet returned to its fantasy warrior theme on “The Deed is Done” album cover using the art work of Ezra Tucker.

Ezra Tucker is an internationally renowned commercial artist/illustrator whose clients include Scholastic Books, Boys’ Life Magazine, Arizona Highways Magazine, the National Park Service, the National Forestry Service, Universal Studios, Walt Disney, Anheuser-Busch, Coors Brewing Company, Seagrams, Carnation, Kelly Tires, Brunswick, and MGM Grand Hotel. Tucker graduated from the Memphis Academy of Arts earning a BFA Degree in Advertising Design. Tucker describes his style as “Nouveau Victorian Realism” where animals, people and landscapes are realistically depicted in fantastic settings. This style is reminiscent of the Victorian period painters. Ezra Tucker is recognized for his mastery of detail and has won numberous awards. His work is included in museum, private, and Fortune 500 corporate collections. Although Ezra Tucker is remarkably versatile in the type of works he has done, his true passion is for painting wildlife.

Lightning Strikes - Molly Hatchet's Seventh Album - 1989 - Album Cover Art by Ezra Tucker

Lightning Strikes – Molly Hatchet’s Seventh Album – 1989 – Ezra Tucker

Molly Hatchet’s seventh studio album, “Lighting Strikes Twice” was released in 1989 and also features the art work of Ezra Tucker. This was the first album without Molly Hatchet’s other cofounder Dave Hlubek, who left the band due to his struggle with drug addiction. Hlubek was replaced with guitarist, Bobby Ingram.

Devils Canyon - Molly Hatchet's Eighth Album - 1996 - Album Cover Art by Paul Raymond Gregory

Devils Canyon – Molly Hatchet’s Eighth Album – 1996 – Paul Raymond Gregory

Silent Reign of Heros - Molly Hatchet's Ninth Album 1998 Album Cover Art by Paul Raymond Gregory

Silent Reign of Heros – Molly Hatchet’s Ninth Album 1998 Paul Raymond Gregory

Kingdom Of XII - Molly Hatchet's Album Ten 2001 - Album Cover Art by Paul Raymond Gregory

Kingdom Of XII – Molly Hatchet’s Album Ten 2001 – Paul Raymond Gregory

Warriors of the Rainbow Bridge - Molly Hatchet's Eleventh Album 1998 Album Cover Art by Paul Raymond Gregory

Warriors of the Rainbow Bridge – Molly Hatchet’s Eleventh Album 1998 Paul Raymond Gregory

Justice - Molly Hatchet's Twelfth Album 2010 Album Cover Art by Paul Raymond Gregory

Justice – Molly Hatchet’s Twelfth Album 2010 Paul Raymond Gregory

Regrinding the Axes Molly Hatchet's Thirteenth Album 2012 Album Cover Art by Tomasz Oracz

Regrinding the Axes Molly Hatchet’s Thirteenth Album 2012 Tomasz Oracz

Locked and Loaded Molly Hatchet's Double Live Album 2003 Album Cover Art by Paul Raymond Gregory

Locked and Loaded Molly Hatchet 2003 Paul Raymond Gregory

Southern Rock Masters Molly Hatchet 2008

Southern Rock Masters Molly Hatchet 2008

Rumours – Fleetwood Mac – 1977


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Born in the USA – Bruce Springsteen


A Grammy award winning album, and considered by many to be one of the top 100 albums of all time, Born in The USA had seven of its twelve songs reach the top ten.   This was Bruce Springsteen’s seventh studio album and it achieved both critical and commercial success.  This iconic album cover was photographed by famed photographer Annie Leibovitz.  The simplicity of the cover, which shows only a rear view of Bruce Springsteen in blue jeans standing in front of an American flag, is in sharp contrast to the strong symbolic and political message of the image.  Bruce Springsteen has always portrait himself to be a working class, patriotic American and the album cover and title further support this picture.

 

Born in the USA  - Bruce Springsteen - an iconic album cover

Born in the USA – Bruce Springsteen – 1984

Born in the USA

Other Albums by Bruce Springsteen:

Greetings from Asbury Park, N.J. (1973)
The Wild, the Innocent & the E Street Shuffle (1973)
Born to Run (1975)
Darkness on the Edge of Town (1978)
The River (1980)
Nebraska (1982)
Tunnel of Love (1987)
Human Touch (1992)
Lucky Town (1992)
The Ghost of Tom Joad (1995)
The Rising (2002)
Devils & Dust (2005)
We Shall Overcome: The Seeger Sessions (2006)
Magic (2007)
Working on a Dream (2009)
Wrecking Ball (2012)

Listen to the music from Born in the USA:

Layla and Other Assorted Love Songs – Derek and the Dominos 1970


The only studio album by Derek and the Dominos (aka: Eric Clapton, Bobby Whitlock, Carl Radle, Duane Allman and Jim Gordon) Layla and Other Assorted Love Songs is mainly a collection of unrequited love songs.  Regarded by many as Eric Clapton’s greatest work, this double album contains such classic rock songs as Layla, Bell Bottom Blues, Little Wing, Why Does Love Got to Be So Sad, and I Looked Away. The album was recorded and released in 1970.

Clapton met Bobby Whitlock, Carl Radle, and Jim Gordon while playing with Delaney and Bonnie and Friends and then they later played together on George Harrison’s triple album, All Things Must Pass. Duane Allman later joined the Derek and the Dominos recording sessions after Eric Clapton showed up at an Allman Brothers concert and invited Duane to jam with him after the show.

The album cover is a painting by French artist, Frandsen De Schonberg.  The painter was the father of a friend whose house the band had stayed in when playing in France.  Clapton chose this particular painting for the album cover because it reminded him of Pattie Boyd-Harrison, the inspiration for the title song.  Eric Clapton had fallen madly in love with friend George Harrison’s wife and her rejection is at least partially credited with pushing Clapton into his heroin addiction.  Ironically, the couple married in 1979, but Pattie divorced Clapton in 1988 as a result of his heroin addiction and alcoholism.

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Led Zeppelin IV


Led Zeppelin  IV ALbum Cover

Led Zeppelin IV Album Cover

Led Zeppelin is one of the greatest rock and roll bands of all time. The band has been a major influence on rock and roll since its beginning in the late 1960’s. During the seventies, Led Zeppelin dominated rock and roll, but disbanded in 1980 after the death of drummer, John Bonham.

 
Arguably Led Zeppelin’s greatest album was Led Zeppelin IV, with hits like “Stairway to Heaven” and “Black Dog”, this album found both commercial and critical success. The album still ranks with the best selling albums of all time and can be found on almost any greatest albums of all times list.

The cover of the album shows a black-framed picture of an elderly man carrying a bundle of branches on his back which is hanging from a wall with floral wallpaper that is peeling off. In itself the imagery on this cover does not appear that significant; however, the lack of any text added to the albums mystical appeal. According to Page in a 2010 interview with the Times, “The cover was supposed to be something that was for other people to savour rather than for me to actually spell everything out, which would make the whole thing rather disappointing on that level of your own personal adventure into the music.” With itsTolkien-esque lyrics and ancient symbols on the album’s inner sleeve, the cover served to amplify the mystic of the entire album causing fans to hunt for hidden meanings for years to come.

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Sgt Pepper’s Lonely Heart’s Club Band – The Beatles Most Important Album Cover


Sgt. Pepper's Lonely Hearts Club Band is one of the most popular record albums of all time, both for its music and for its cover art.

The Beatle’ s Sgt. Pepper’s Lonely Hearts Club Band

Considered by many to be the ground-breaking concept album, Sgt Pepper’s Lonely Heart’s Club Band was released by the Beatles in June of 1967.  The album’s concept originated with Paul McCartney, who was inspired by the Beach Boys’ 1966 release of Pet Sounds.  Ironically, Brian Wilson had been motivated to write the songs on the Pet Sounds album after listening to the Beatles’, Rubber Soul album.

Sgt Pepper was probably one of the earliest examples of  a concept album.  It’s this overall ‘multimedia’ approach, making the music, the lyrics and the concept art link together that makes this a stunning showcase of modern rock. For the first time on a Beatles’ record, the artwork, packing and every song were connected in some way.  Ironically, although connected, the music on the album was influenced by such diverse genres as music hall, jazz, rock and roll, western classical, and traditional Indian music.

One of the most important albums in modern music history, Sgt Pepper influenced many artists including Pink Floyd, Jimi Hendrix, and Oasis.  Sgt. Pepper was a worldwide critical and commercial success, spending 27 weeks at the top of the UK Album Chart and 15 weeks at number one on the US Billboard 200.  It consistently ranks at, or near, the top of most published lists of the greatest albums of all time.  Sgt. Pepper is also one of the best selling albums of all times, with worldwide sales of 32 million copies.  Nominated for seven Grammy Awards in 1968, the album won four, including Best Album of the Year and Best Album Cover.

The Grammy-Award-winning album cover was designed by Peter Blake and, his wife and artistic partner, Jann Haworth; and photographed by Michael Cooper.  The front of the album cover shows the band posing in front of a collage of life-sized cardboard models of the band’s favorite celebrities.  The Beatles, as the Sgt. Pepper Band, are dressed in custom-made military-style outfits made of satin dyed in day-glow colors. These suits were designed by Manuel Cuevas.  The album’s lyrics were printed on the back cover, the first time this had been done on a British pop album.

Although Peter Blake later complained about the amount of the fee that he received for the design (only£200, with no subsequent royalties); the total amount spent on creating the cover was nearly £3,000, about 100 times the average cost for an album cover in the 1960s.

The Sgt. Pepper’s album cover has become an iconic work of pop art, much imitated and certainly Pete Blake’s best known work. This elaborate album cover art has spawned great interest and deep study.  The album cover features more than 70 famous people, including writers, musicians, film stars, and (at Harrison’s request) a number of Indian gurus. The final grouping included Marlene Dietrich, Carl Gustav Jung, W.C. Fields, Diana Dors, James Dean, Bob Dylan, Issy Bonn, Marilyn Monroe, Aldous Huxley, Karlheinz Stockhausen, Sigmund Freud, Aleister Crowley, Edgar Allan Poe, Karl Marx, Oscar Wilde, William S. Burroughs, Marlon Brando, Stan Laurel and Oliver Hardy, and Lenny Bruce.  Also included was the image of the original Beatles’ bassist, the late Stuart Sutcliffe and the wax figures of the current four Beatles.  Adolf Hitler and Jesus Christ were requested by Lennon, but ultimately their images were left out.

The Beatles’ Record Albums

Studio Albums:

Please Please Me (1963)
With the Beatles (1963)
A Hard Day’s Night (1964)
Beatles for Sale (1964)
Help! (1965)
Rubber Soul (1965)
Revolver (1966)
Sgt. Pepper’s Lonely Hearts Club Band (1967)
The Beatles (1968)
Yellow Submarine (1969)
Abbey Road (1969)
Let It Be (1970)

Compilations:
My Bonnie (with Tony Sheridan) 1962
The Beatles with Tony Sheridan & Guests (with Tony Sheridan) (1964)
The Beatles Beat (1964)
Something New (1964)
Jolly What! (with Frank Ifield) (1964)
Ain’t She Sweet 1964)
The Beatles’ Story (1964)
The Early Beatles (1965)
The Beatles (1965)
The Beatles’ Greatest (1965)
The Beatles in Italy (1965)
Dans Leurs 14 Plus Grands Succès (1965)
Los Beatles (1965)
Greatest Hits Volume 1 (1966)
A Collection of Beatles Oldies (1966)
Greatest Hits Volume 2 (1967)
The Beatles’ First (1967)
Very Together (1969)
Hey Jude (1970)
In the Beginning (Circa 1960) (1970)
From Then To You / The Beatles’ Christmas Album (1970)
Por Siempre Beatles (1971)
The Essential Beatles (1972)
1962–1966 (1973)
1967–1970 (1973)
Rock ‘n’ Roll Music (1976)
Love Songs (1977)
The Beatles Collection (1978)
Rarities (1978)
20 Golden Hits (1979)
Rarities (1980)
The Beatles’ Ballads (1980)
Rock ‘n’ Roll Music, Volume One (1980)
Rock ‘n’ Roll Music, Volume Two (1980)
The Beatles Box (1980)
The Beatles 1967–1970 (1980)
The Beatles EP Collection[B] (1981)
The Beatles (1982)
20 Greatest Hits (1982)
The Number Ones (1983)
The Early Tapes of the Beatles (1984)
Past Masters, Volume One (1988)
Past Masters, Volume Two (1988)
Past Masters, Volumes One & Two (1988)
The Beatles Box Set (1988)
Anthology 1 (1995)
Anthology 2 (1996)
Anthology 3 (1996)
Yellow Submarine Songtrack (1996)
1 (2000)
Beatles Bop – Hamburg Days (with Tony Sheridan) (2001)
Let It Be… Naked (2001)
The Capitol Albums, Volume 1 (2004)
The Capitol Albums, Volume 2 (2006)
Love (2006)
The Beatles in Mono (2009)
Mono Masters (2009)
The Beatles Stereo Box Set (2009)
Past Masters[C] (2009)
1962–1966 / 1967–1970 (2010)
Anthology Box Set (2010)
Anthology Highlights (2010)
Tomorrow Never Knows (2012)
I Saw Her Standing There (2013)

Live Albums:

Live! at the Star-Club in Hamburg, Germany; 1962 (1977)
The Beatles at the Hollywood Bowl (1977)
First Live Recordings (1979)
Live at the BBC (1994)
On Air – Live at the BBC Volume 2 (2013)

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